The Spectrum
Tuacahn’s ‘Grease’ relatable to audience
Lisa Larson • Theater Review: Tuacahn’s “Grease” • Published: June 19. 2011 4:55AM
With all the hype surrounding Disney’s “The Little Mermaid” at Tuacahn this summer, one might expect “Grease” to willingly slide into the backseat but the T-birds and Pink Ladies are not going down with out a fight.
The Tuacahn production of “Grease” is a mixture of the stage version and the 1978 film version starring Olivia Newton-John and John Travolta, pulling music from both to tell the story of Danny Zuko (Preston Ellis) and Sandy Dumbrowski (Crystal Kellogg), two high schoolers whose summer of love ends when they separate to attend what they think will be different high schools.
However, the first day at Rydell High temporarily reunites the couple until pressure from Danny’s gang, the T-birds, and Sandy’s newfound friends, the Pink Ladies, pushes Danny and Sandy to change their personalities to salvage their summer fling.
Drawing on Tuacahn’s strength as a truly unique theater, the opening scenes revealed what I considered to be one of the strongest aspects of the show. The use of real cars and motorcycles gave an air of credibility to the high school “bad boys” and enhanced the dividing lines between the popular and unpopular groups at school.
The rest of the production showcased the cast’s dancing prowess and vocal skills on classic numbers like “Summer Lovin’,” “Greased Lightning,” “Hand Jive” and “You’re the One That I Want,” yet it was the solo work by Kim Sava, as Betty Rizzo, on “There Are Worse Things I Could Do” and Sandy’s (Kellogg) transitional “Sandra Dee” reprise that proved to be the emotive highlight for me.
Rizzo’s overall contribution along with James Royce Edwards’ version of her counterpart Kenicke, were believable and effortless to watch. Additionally, I thoroughly enjoyed the comic relief provided by Jan (Bridie Carroll) and Roger “Rump” (Tim Roberts), especially during the couple’s humorous love song, “Mooning.”
In a production that had me feeling entertained but never quite enraptured, I was happy for moments like those that temporarily swept me away.
Other aspects, such as a few microphone issues and choppy scene changes, were a reminder of the newness of the project and the rushed rehearsal schedule.
True to Tuacahn form, “Grease” included a number of special effects not typically seen in other productions, such as a traveling rain storm that followed Sandy in “Raining on Prom Night” and drew a hearty laugh from the audience, and of course the requisite fireworks during the finale. However, the use of a real dog in some of the scenes in Marty’s (Kami Threlfall) home seemed superfluous and left me scratching my head.
Regardless, the upbeat music, energetic dancing and overall enthusiasm of the cast gives the audience plenty of reasons to enjoy the show. Whether you attended high school during the height of the greaser’s fame or any era before or since, the ups and downs of teenage life represented in “Grease” are relatable enough to make you smile.